Category Archives: Rosanna Mosaic Artist

O’Grady Court Sun/Moon Mosaic

P1060116Regular readers will know that earlier in the summer I did a voluntary project in the half term holiday with OPEN Ealing  and the local children. We collectively made a mosaic tree and then donated it to O’Grady Court sheltered housing in Ealing.  It was a great community project to be involved in and O’Grady Court invited us all over for an unveiling session providing a delicious buffet brunch.

the mosaicI was so impressed when I met Birgit and Gasper and they told me all about O’Grady Court and the facilities. They obviously loved the mosaic tree so I offered to make them another mosaic as a present. I returned a few weeks later and discussed options and eventually we came up with the idea of one of my sun/moon mosaics. I wanted to give them a piece that was nice and bright and would sit in their lovely outdoor garden.

P1060138I had made one sun/moon before for my garden shed but this one was going to be much larger and brighter. I started by drawing in the face and the first things I mosaiced were the eyes. I am really pleased with them because they are the most realistic pair I have done so far. I then did the nose and slash of a mouth. Then p1060262the fun part starts, putting in all that lovely colour and bling. For this I used a lot of coloured stained glass so I that I could have really large, bright coloured sections. I then “filled in” the gaps with iridescent tiles, glass beads, metalic tiles and anything else that I thought would add to the piece and make an impact.

p1060371So having completed and delivered the mosaic, I went along on Friday for the unveiling. As well as Birgit, Gasper and all the residents, Maud from Open Ealing came along and proceedings were introduced by the regional Manager. After a lot of compliments were made and photos were taken, I talked about the inspiration for the piece and how I went about making it. It was a beautiful, bright morning and the mosaic glittered and sparkled in the sunlight – exactly as I had hoped it would. We then went inside for a lovely buffet and I had my first mince pie. I was presented with a beautiful bouquet of stunning autumn flowers – my perfect colours.  I really enjoyed making the piece for all the residents at O’Grady Court and I know from their reaction and kind words that they really like and appreciate their sun/moon that will look down on them for many years to come.

 

October Update

October is a great month. Although chilly early morning and evening, the days are usually lovely and bright with a hazy autumnal sunshine. I have seen some spectacular sun rises as I do my early morning walks. The trees are turning beautiful colours and its lovely to be out walking in the crisp air kicking leaves. Its also a great excuse for me to start making lovely autumn casseroles to come home to tuck into after a days activities.

This has been a busy month for me mosaic wise, having started it off with an excellent and inspiring BAMM AGM and Conference.  Following on from the workshop I did with Jane Visick, I have been experimenting a lot with glass-on-glass mosaics. This is the one I started at the course with Jane and finished at home. p1060334Although I know it is a very basic version of what Jane was trying to teach us, it has given me a good start and has enabled me to grasp the basics of cutting and shaping the glass. It seems to be a very, very messy process and no matter how neat you try to be, you get tiny shards of glass everywhere so I am forever tidying up after myself. The ‘rule’ of never going into my studio barefoot is even more relevant with glass bits hiding everywhere.  I really enjoy making these glass pieces, I love the long ‘slashes’ of glass and the dramatic effect they create.  I will now need to perfect cutting the smaller pieces and shapes to make up the pictures.

Whilst at the BAMM Conference I got some great news – the new  Tower House Gallery in Northumberland  has taken 6 pieces of my work to display.

Triptych on Slate

Triptych on Slate

I am absolutely delighted as it is a lovely gallery and the quality of work on display is very high indeed. I will be proud to have my work hanging alongside the other artists.  I aim to make them a range of  glass-on-glass pieces and I will also be making another new range of tile and glass mosaic on slate, similar to this triptych.

So its going to be a busy autumn for me with 2 new ranges waiting to be made. We also aim to do the last leg of the Capital Ring  next week, which will just about be within a year of starting it!

 

 

 

A Weekend of Art

It was a full on weekend of art. It all started when my friend Janet came over. Janet and I met in 1976 when we both worked at a telex agency in Little Britain – yes there is such a place just behind St. Pauls. Janet and I share a love of all things craft, cooking and curry.

On the Friday we went to Handmade at Kew.  A four-day contemporary craft event giving visitors the opportunity to meet and buy art from over 200 extraordinary designer-makers including: ceramics, jewellery, fashion and textiles, glass, paper, furniture, metalwork, sculpture and interior accessories. The standard and quality of craftsmanship was outstanding. We spoke to several exhibitors and I have to say, I am tempted to submit my work for consideration next year. It would be quite an expensive outlay but great to be part of such a prestigious event.

British Assoc. Mosaic Makers

On Saturday I went to the BAMM AGM and Forum. As always, the range of speakers was fantastic and although it is only my 2nd year as a member, I felt very at home and quite honoured to be part of this amazing mosaic family.

Rosanna-Henderson

Wendy and Julie

 

Unfortunately I had to leave early as I had been invited to appear on the Christmas edition of Crafty Beggars in the House and they were filming that day.  Although I had to miss 2 BAMM speakers, I couldn’t resist the chance of being back with the Crafty Beggars team. It was lovely to see everyone and apart from the delightful Julie and Wendy, the Crew were the same and I met some of the Crafters that I knew from the previous shows. We ate mince pies, drank Prosecco and shared some truly dreadful Christmas jokes and stories.

P1040824Normally at Crafty Beggars I would have been demonstrating but as I was at the Conference I decided in true Blue Peter style to ‘take something I had made earlier’. So there I was at 7.30am going into Waterloo on the London Underground for the BAMM Conference with Rufus Reindeer. Despite a lot of stares, not one person on the train said anything – talk about the elephant / reindeer in the room! It was the same going on the overground  to film later on. However, at BAMM he received lots of compliments and pats on the head!

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Here’s one I made earlier in glass

Sunday was just as hectic. I was back at BAMM (minus Rufus) to do a Glass Mosaic Workshop with Jane Visick.  It was an excellent day and Jane is a great teacher. She taught us the intricacies of cutting glass into detailed, specific shapes and how to build up a picture.  I have used glass in my mosaics before but now I feel much more confident in using it to much better effect. We also picked up lots of tips and good ideas throughout the day – including ‘when did you last ‘turn’ your wheeled cutters’,  and the best glue to use for glass-on-glass.

By the end of the weekend I was ‘art-ed’ out, exhausted but very happy with everything I had done, plus I had learnt a new skill. The only possible way to relax was with a glass of wine watching Strictly.

 

 

Mosaics for Sale

People often ask if they can buy my work and the answer is a resounding YES PLEASE! I do have various outlets and you can always buy direct from me, and of course I do take commissions.

Coasters

Coasters

When I first started to make mosaics all those years ago, I started off with coasters and trivets. They were ideal items to have in a shop – the sort of small, low price item people would buy as a gift or for themselves.  As my work progressed, I moved onto garden pots and small wall hangings, again ideal for a shop so it was great to be in All Original, a local shop specialising in designer/maker items.

Range of mirrors

Range of mirrors

I them started making mirrors and door numbers and once they went into the shop I received lots of requests for commissions. Again, they made perfect gifts and were very personalised for the recipient. After 2 years I decided it was time to leave All Original as I ended up having to make to sell rather than make to develop and progress my skills as a mosaic artist.

9 years on from that first, tentative mosaic and I am still learning and hopefully progressing all the time. I have moved on to making much larger items for both indoor and outdoors. Wall hangings, pictures, glass-on-glass and now I am doing a lot of work on slate. I now work mostly to commission as each piece is very specific to the buyers requirements. I am in 2 Galleries in Northumberland and I would like to find a local Gallery as another outlet to display and sell my work. If you know of anywhere or anyone that you think may appreciate my style of work, please get in touch via my Contact Page.

 

 

 

CAPITAL RING

We now have the 9th stage of the Capital Ring under our walking boots. Starting at our most local point, we started to climb towards north west London. I suppose that the clue was in the description: Horsenden HILL, Sudbury HILL and finally Harrow-on-the………HILL.  Yes, it was one of the highest legs of the walk, also the furthest point, 10 miles from Charing Cross. A great section though and from now on we are into unknown territory.  We are half way now and hope to finish within a year.

The ‘Eyes’ Have It.

I am very aware that my mosaic style tends towards the abstract and interpretive rather than figurative or realism. I am not very good at drawing so this is probably reflected through in to the subject matter of my mosaics. I have mosaic friends who do amazing mosaics that could easily pass as paintings. I, on the other hand, feel I am more of an expressionist, going by my instincts and gut feeling rather than any formal rules and structures. I often let the mosaic take its own course, maybe by using an unusual tile or a piece of glass that I love and letting it build from there. Or it may be a colour or a curve that I want to convey and then I let the flow of the piece take over.  Therefore I tend to shy away from mosaics of buildings or people, as you would expect them to look recognisable, like the real thing and I don’t have that skill……… yet.

P1050571However, when I made the sun/moon mosaic, I knew it needed a face so I had  to give it a go. With this mosaic the main focus was the radiating rays and the face was  the ‘link’. I am quite pleased with the result even though it does have ‘piggy eyes’ ! So far it is one of my favourite pieces.

Babooshka

Baboushka

I had the idea that I wanted to make a silhouette with long, flowing 1960s style psychedelic hair. I copied the face from a larger mosaic at South Bank Mosaics that they  kindly gave me permission to do. So Baboushka was born.

I then wanted to make a similar piece but without the ‘wildness’ of Baboushka. Someone much more mellow and placid. I started by putting in the eyes then the nose and finally the mouth and was delighted with the results. She looked exactly as she should, peaceful, tranquil, almost transcendental – Jennifer Juniper just as described in the Donovan song. But, when I filled in the rest of the face she took on a rather angry, disgruntled look and has ended up totally different to what I expected. I am not sure why, maybe the angle of the pieces I had laid gave her ‘frown marks’.

Jennifer Juniper

Jennifer Juniper

I am now making another sun/moon, again it needs a face. This time I didn’t over think the process but went with my instincts. I am really pleased with this eye – I think it looks very realistic and I am hoping I can make another so I have a matching pair – otherwise I shall have to change the image to a cyclops!!P1060138

So hopefully I am learning all the time and getting better at interpreting the image I want to get across.

Summer Mosaic Update

July and August are such strange months, the roads are deserted but tube trains, museums and London parks are full to bursting with families and tourists enjoying the summer holidays.  The mosaic world takes a  holiday as well and I have managed to get away myself as it has been very quiet on the mosaic front. I have also taken the chance to have a sort out and tidy my studios ready for the autumn rush – she says hopefully!

P1060130I made this butterfly during summer for my sister’s newly born great niece. I had made her  big sister a pink elephant when she was born 3 years ago so it seemed fair that another mosaic was in order.  I have used quite a few ‘glitter’ tiles so it should really sparkle on her bedroom wall.

Vivien & Kalpina - Log Cabin Spring Tree

Log Cabin Spring Tree

Following on from the fantastic response and reception we got from O’Grady Court on the OPEN Ealing mosaic project, I have volunteered to make them a mosaic to go onto another wall in their lovely rooftop garden. The last voluntary project I did was at the Log Cabin, a children’s charity, so I am more than happy to make a piece for the residents at this lovely sheltered housing organisation. I have had the initial meeting with them and we talked through ideas, where it would be placed etc. After lots of discussion we came up with the final choice of mosaic so it is now up to me to get sketching and decide on the size, colours etc.  Hopefully I shall have some progress pictures for you soon.

I have just received a new commission for 2 stepping stones. I have made several stepping stones in the past, notably my sundials and the ammonite. They are great fun to do and lend themselves well to the mosaic medium. As they are so durable and robust they are ideal for a garden, flowerbed  or patio.  This client has asked if I am able to do 2 horoscope star signs – I think that is a brilliant idea and I am a bit disappointed I hadn’t thought of that idea before myself!  Obviously I said ‘yes’ so I am now looking at sizes, colours, designs etc. 

So after the lull of summer comes the storm of new projects – I am looking forward to getting back to work and mosaicing again. 

LONDON ACTIVITY: So many of my Blogging Followers have been asking me how I am getting on with the CAPITAL RING walk so here is progress to date:  WalkingWe have now completed 7 stages of the Capital Ring and have crossed the river to north London.  Combining stages 4 & 5 took us from Crystal Palace to Wimbledon Park via Streatham, Tooting and Wandsworth Commons.  Stage 6 was probably one of our favourite routes starting at Wimbledon Park with its massive boating lake and overlooking the City skyline, passing the famous windmill on Wimbledon Common, lovely walking over Putney Heath which took us up into Richmond Park.  Now we felt we were on ‘home territory’ but as we went through Richmond Park we crossed through lovely parts that we didn’t know existed. When we walked down past Pembroke Lodge, through Petersham Meadows and to completion at the river by Richmond Bridge, it was great to be able to hop on a bus to get home. Stage 7 was definately our local patch and the walk took us on a familiar route that we have cycled or walked many, many times. The end of the route was literally ’round the corner’ to home!  

We are sure that the Capital Ring route used to come past the bottom of our road so I am wondering if anyone out there has a copy of the Capital Ring book pre the re-print in 2014. If you have, please do get in touch and let me know the old route.

 

 

 

The Story Behind the OPEN Ealing / O’Grady Court Mosaic

When Maud from OPEN Ealing asked me if I would like to run a Mosaic Workshop for the local children during their half term art programme, I was delighted. I love working on community projects and I couldn’t resist the idea of introducing children  to the wonderful art form of mosaic

OPEN Ealing is an arts centre that is the focus for creative excellence,inclusion and aspiration. Their aim is to introduce a refreshing cultural space and exciting arts programmes to the community by bringing artists, performers, art groups and residents together, promoting creativity and creating new opportunities.

The remit was that during the week children would carry out various art projects ‘Following in the Footsteps of’ a famous artist. To be honest, one of my favourite artists is Rembrandt who’s dark and m0ody self portraits do not lend themselves to a children’s bright mosaic project! No worries, I would decide on the mosaic first and then work in an artist.

It was agreed that rather than make individual pieces, we would make one large mosaic which we would donate to a local organisation. Maud identified O’Grady Court, a sheltered housing complex, who were delighted with our offer of a mosaic for their beautiful rooftop garden.

Log Cabin Tree

Log Cabin AutumnTree

My biggest challenge was not knowing how many children would turn up, their ages and artistic ability. I didn’t want anything  too simplistic that would not catch their imagination but I was also aware that if the piece was too large I would be doing a lot of mosaicing at home that night! Also, how do a group work on one piece while putting their personalised stamp on it.  Eventually I took inspiration from the trees I made for the Log Cabin, lots of different sections with varied styles within the overall piece.

Luckily for me my nephew Steven, a maths teacher, was coming to stay for the weekend so as soon as he arrived he was given a cold beer and told to ‘design’ a tree made up of squares, rectangles and other mathematical shapes – all alien to a ‘creative’ like me!

the mosaicOn the day 10 children arrived and were immediately attracted to the beautiful glass tiles, shiny ceramic beads and glittery adornments. Working in pairs, they selected the sections they wanted to work on and then, armed with their handfuls of ‘coloured treasure’, started to design their section before placing and sticking them in the main piece. They were totally engrossed and were determined that the mosaic would be finished within the session, so all of them were working flat out. Each section is very individual – some of the children were incredibly neat, others were colour focused, many had an abstract slant. The end result is a fantastic ‘mix n match’ of different styles, all very distinctive but they all work in harmony as a whole.

I hope you will agree that our ‘Picasso Influenced Cubist Tree‘ is a great success.

 

The OPEN Ealing O’Grady Court Mosaic

 

P1060112

Rosanna and Maud prepare to unveil.

Residents from a sheltered accommodation complex in West Ealing were presented with a very special mosaic for their garden from some of the young people who helped make it.

During OPEN Ealing’s May 2016 half term workshops, youngsters aged 8 to 14 followed in the steps of famous painters such as Klee, Klimt, Kandinsky and Van Gogh, using varied artistic treatments.

Led by local mosaic artist Rosanna Henderson, the children collaborated to create a cubist tree. When Rosanna suggested they made a large piece of art to be donated to a ‘good home’, the young people quickly agreed and the communal rooftop garden at O’Grady Court was the natural choice – being in the centre of West Ealing and providing sheltered and supported accommodation for retired people over the age of 55.

P1060113

The Completed Piece.

Birgit Huhn, Manager of O’Grady Court, on Melbourne Avenue, has been extremely supportive of the project from the outset and she and some enthusiastic residents came to OPEN Ealing during the workshop session to see the piece being created.

O’Grady Court and OPEN Ealing are practically neighbours and this project has reignited their collaboration and stimulated the residents into taking art classes themselves in the future. Perhaps they will return the favour and do a piece for a local school? Mandie Wilde of OPEN Ealing commented, “the piece created in a 2 hour session and finished by Rosanna to make it suitable for garden ornamentation, is amazing. Not only have the workshop participants grasped the technique of mosaic and the famous practitioners, they have added their own touches making it very personal. The standard is amazing and we are delighted that OPEN Ealing can facilitate workshops like this and encourage raw talent.”

P1060116

Mosaic Artist Rosanna Henderson with some of the children that made the mosaic.

OPEN Ealing wishes to particularly thank the children for their dedication in producing such a beautiful work of art, Rosanna for her skilful lead on the workshop and finishing touch on the piece, our volunteers Ruth Holmstock and Stephanie Sundle for their precious help during the workshop, Birgit Huhn and Catalyst’s O’Grady Court management and maintenance teams for their support of the project, and finally the residents for their enthusiasm.


This article appeared in the Ealing Today Newsletter this week. Thanks to OPEN Ealing and AnneMarie from Ealing Today for writing the article and initiating and supporting the project.

NEXT BLOG: The story behind the mosaic.

Rosanna’s Mosaics – by Commisssion

When I meet people and they learn I make mosaics they often ask ‘Do you take commissions’. The answer to this question is a resounding YES.

Fishing Boat

Fishing Boat

I have made several commissions over the years. Some large, some small, indoors and for outside. I have made company logos, door numbers, pieces for new borns, wedding presents. Panels to go into bathrooms, kitchens and pieces that have gone into gardens as well as several pieces that have gone abroad.

I really enjoy taking on an exciting, new piece of work. Liaising closely with my clients, I design and create both practical and decorative items to match their own style, colour scheme and personality. I always make sure I spend enough time with the client discussing their exact requirements, purpose of the piece and any special  or quirky requests they may have. I can usually fit into their budgetary requirements as I try to keep my prices at a realistic level so anyone can afford an original piece of mosaic art.

P1050571

Sun and Moon

If you are thinking of revamping your kitchen or bathroom and want something a bit different, a specially commissioned splash back or inset panel could be just the thing to give it your personal stamp. Or how about a mirror or wall hanging in a newly decorated room?

When you commission me you can be sure that you are buying a unique, original piece of mosaic art. Each piece is individual and all my own work. I do not mass produce and no one helps me at any stage with the mosaic.

Here are some nice stories about 2 previous commissions:

The Barbados Turtle Project and Quentin The Lizard.

Here are some examples of previous commissions.

If you are interested, or know of someone who might be keen on commissioning a piece of work, please feel free to give me a call on 07961 134 033 so we can have an initial chat, there is no obligation and I am always happy to chat to people who want more info on my work.

 

 

 

 

 

My Mosaics Top Tips – Part 1: GETTING STARTED.

When I was filming my TV appearance on ‘Crafty Beggars in the House’ the lovely Julie and Wendy asked me for my Top Mosaic Tips.  As I started to write them down I realised it would make a nice little series of articles.

So, here are my TOP TIPS on getting started if you are new to mosaic making. I hope you enjoy them and I an happy to answer any questions you may have.

TOP TIPS: To get you started on mosaic making

THE TRADITIONAL ART OF MOSAIC MAKING

Good Morning Sunshine

Good Morning Sunshine

MOSAIC ART is one of the most ancient art forms used by the ancient Greeks, the Romans and several other cultures throughout the centuries. Like any great art, there has been ‘phases’ and periods’ throughout history from the traditional Roman style, the geometric Greek patterns, Byzantine and Gaudi to name a few. Mosaic art is still relevant today and again, takes many forms. The end result is totally unique and very different to any other art form.

VERSATILITY

Mosaics are incredibly versatile.  They can be used in both indoor and outdoor spaces. Extremely durable and hardwearing they last for ages. They can be decorative, practical, tiny, huge, delicate and robust, 2D or 3D. They are sometimes very heavy!  Traditional, contemporary, pictorial, abstract – they can be anything your imagination can think of.

KEEP IT SIMPLE

The first mosaic I ever made was a small coaster and it took me all afternoon. I still have it, my lucky mosaic that comes with me on exhibitions and demonstrations.

Robin

Robin

Whenever I give lessons I usually ask people to send me an idea of what they would like to mosaic. To be honest, most people over estimate what they will be able to achieve in a first lesson. One person bought along a picture of Van Gogh’s Sunflowers. Another saw my ‘Robin’ mosaic and asked if they would be able to make that in an afternoon – I said ‘I hope not, it’s took me ages to make and I found it very challenging’!!  So keep it simple, a coaster, mirror or trivet is a good starting point. You can then progress to pots, door numbers and small hanging plaques.

SUITABLE SURFACES

There are all sorts of surfaces that you can mosaic on.  Obviously wood but also slate, stone, mirror, tiles – in fact anything that is fairly flat and non-flexible. I often mosaic on terracotta roof tiles, they are flat, weatherproof and durable, plus I am recycling so it’s a win-win situation all round.

INDOOR or OUTDOOR?

Blue Marple

Blue Marple

Mosaics are great for indoor or outdoor spaces and look lovely in a garden setting.  I have a lovely sun/moon on my shed. Make sure you decide in advance where it is going to go as you may need to use different materials and adhesives for outside display. Mosaic pots overflowing with herbs look delightful and just imagine a lizard creeping through your rockery, or a sunshine stepping stone.


So there are some tips to get you thinking and ready to start. Next time we will look at INSPIRATION and MATERIALS